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Writer's pictureChristina Cooper

From Head to Heart: How One Shift in Perspective Dissolved an Opera Singer’s Stage Fright

Updated: Dec 13


Opera performance on stage

Stage fright is a familiar companion for many musicians, but for some, it can become a shadow that ends up consuming their career. This was the case for Luke, a young, talented opera singer who found himself locked in a growing fear which was physically affecting his ability to perform. His story is a powerful example of how one subtle shift in perspective can dissolve self-doubt and bring you back to the joy of making music.


Luke's Struggle with Perfectionism and Anxiety



Luke's stage fright first manifested as a physical tightening in his throat. As he was singing, he would start to experience a closing of his throat, and his voice would tighten and start to feel forced. Over time, this created an insidious spiral of self-doubt and fear, as he began to fear the anxiety itself. Despite his extensive preparation, as performance day approached, he would be flooded with sabotaging thoughts: What if I mess up? What if my throat closes up? What if I can’t hit that note? His nerves were so intense that he sometimes felt physically paralysed and worried if any sound would come out of his mouth at all.


Like many musicians, Luke's anxiety was exacerbated by a relentless need for perfection. He felt that every note, every breath, every single detail had to be flawless. He was always searching for what he thought his critics wanted and putting pressure on himself to satisfy this 'ideal' interpretation. During his performances, his conscious mind constantly pulled him out of flow, judging and analysing every note and reminding him how he was missing the mark.


While logically he knew he was well-prepared, he was physically battling with significant muscular tension which was affecting his well-honed technique. Not only did he have no control over when or how the feeling manifested; he had absolutely no idea where it came from or how he could overcome it. He never believed himself to be an anxious performer but somehow he was now losing the confidence he had so naturally sang with before.


The Turning Point: A New Perspective on Luke's Stage Fright


Luke's anxiety was becoming so troubling to him that it was severely affecting his ability to perform. He was missing out on significant career opportunities as he was no longer able to sing with ease. He came to see me for a course of hypnotherapy to see if I could help him to release the tension in his voice so he could sing with the true freedom he'd once enjoyed.


In our sessions together, Luke and I uncovered the deep roots of his anxiety. While in trance, he came to the powerful realisation that stage fright didn’t define him or his abilities in any way. It was purely a programmed response to emotionally-charged childhood events which were deeply rooted in his past. Through hypnotic regression, he could revisit these significant memories to observe, question, and transform the limiting beliefs which had been created from them. Luke began to see that his nerves weren’t telling him he wasn’t good enough; they were the result of programmed patterns - centred around a belief structure which was self-limiting.


Hypnosis enabled him to peel back the layers of his self-doubt and uncover its true origins. He saw the echo of expectations he’d absorbed over the years, from parents, teachers and mentors, which created the pressure for him to be perfect. With this new awareness, Luke could take a big step back and see his self-doubting inner critic for what it was - a critical voice, not even his voice; and certainly not the truth.


Shifting from Obsessive Control to Freedom and Flow


One of Luke's biggest revelations was letting go of the need to control every aspect of his performance. Instead, he began to focus on trusting his training and skills. In practice, he learned how to observe his thoughts and sensations with curiosity instead of judgment. Instead of trying to 'fix' the nerves or push them away, he started welcoming them as part of his experience. Gradually, he shifted from trying to micromanage every note to allowing himself to be present in the music.


This shift - from a mindset of control to one of flow, was monumental. Luke discovered that when he let go of the need to perform perfectly, his natural talent shone through. His voice, which once felt tight and restricted, became free and resonant. The more he practiced this new perspective, the more he found himself lost in the joy of singing, connected to his audience, and truly experiencing the magic of performance again.


The Outcome: A New Freedom in Performance


Luke's transformation wasn’t just internal - it was evident to everyone who heard him sing. He reported that his colleagues and friends had noticed a new freedom and musical quality return to his voice. He felt more alive on stage than he had for a while, able to express himself in his own right, rather than trying to meet an impossible standard. His performances became a space for self-expression rather than a test of his abilities.


For Luke, this shift wasn’t about eliminating stage fright altogether, but instead seeking to understand it and work with it. By redefining what his nerves meant to him, he was able to turn anxiety into energy, perfectionism into passion, and fear into freedom.


Your Own Musical Path from Head to Heart


Luke's journey illustrates a fundamental truth: stage fright is never a reflection of your skill or worth. It’s a pattern of behaviour or a set of symptoms triggered by beliefs which you have the power to observe and reframe. If you, too, struggle with excessive anxiety or a relentless inner critic, consider shifting your perspective. Instead of wrestling with every thought, invite yourself to observe, let your mind flow, and reconnect with your music in the moment.


The path from 'head to heart' is one of patience, practice, and self-compassion. But as Luke discovered, it’s a path that can lead to a profound sense of freedom, allowing you to share your true self with the world - both on and off the stage.

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